How often do we catch ourselves lingering on past events with a melancholic obsession? We task ourselves with carrying the baggage of emotional hurt like an armor that only keeps us from moving forward. The way forward is lighter, freer and leaves no room for old heavy anchors.
Day 61 of 365~
Image taken in Siena, Italy of a beautiful soul who humored my experimentations with long exposure and ghosting. July 2012
How many people come from so far away to this magical island with the seeds of their hopes and dreams in their pockets hoping to grow a small beginning here among the giants… some give up and others stay and continue the search for as long as the city lets them.
Day 26 of 365
Photos taken in Dumbo
Ireland is one of those places on earth where time plays by its own rules. It can not be confined to any human rules and it waxes and wanes as it sees fit. As soon as I set foot on this magical emerald Isle, my wonders about time, space, movement and change began brewing. It took me to untapped corners of my mind where life borders on the magical. From that I wondered about photography, the movement we capture, the change we try to portray as artists and the power inside the image when time can be portrayed.
If you have never been to Ireland, I just have one word to say:
in the ocean of her imagination
Would we want to live in a world where all was predetermined, where nothing was hidden, where the answers were handed to us at birth? I take the search and the mystery over certainty and the unknown with its myriad of possibilities over the already known. It is in the future where all adventures lie in wait.
the seen and the unseen
How often does it happen to you that you are in museum looking at art and you notice people going first to the little cards or papers that hold a description about the art and reading it before even looking at what it describes? By doing that, don’t we prejudge an artwork and fill ourselves with another person’s impression and facts that end up closing us to the natural way of being with something? Aren’t there two parts of us (at least) that can register new impressions? Don’t we register things consciously with our senses while another unseen part of us takes it in in a whole other manner that we cannot consciously comprehend? Wouldn’t it be better to give ourselves the chance first to detect art before filling our heads with information?
photo~ The beautiful Andrea in a long exposure on the bank of the Arno river in Pisa
candles and stones~ Lucca~ Tuscany
Real faith is spending your days building what you know you will never see completed in your lifetime.
the Arno by night
I often think about the times when humans lived without electricity, the nights when darkness enveloped all with a shroud of mystery. Where people different then? They must have been forced to gaze at the night skies for any source of light, or at the blazing fires that kept them warm. Does electricity force us into a state of daytime existence in the hours of the night that were meant for stargazing, mystery dreaming and contemplation? Is that why we feel so connected to the planet when we go camping or when we visit the desert at night? I also wonder what this river in Florence looked and felt like at the time of the Renaissance…