This video was kindly produced by Yahoo and the Flickr team in New York in 2014 and it represents my artist statement visually and verbally.
Marrakech, a city that does not trust photographers, a place that lives off tourists and snubs them say the same time, but that’s just on the surface. In the last 4 days I asked every local I had the chance to speak with why is there such an automatic and immediate negative response to being photographed, and strangely, no one could give me a straight answer. So I took an approach that I never had to use before in all my travels, I asked, then I laughed and joked (speaking Arabic is definitely helping) and somehow the ice was breaking here and there. It has definitely been a great exercise in disarming, building trust and finding a human common ground connection that is making it all worthwhile.
More about my day in the Berber villages in the next post.
One of the things I was looking forward to moving to Europe is the proximity of amazing cities. So many photographic opportunities are a few hours drive away and the impressions are varied and endless.
Before the city awakens, when the light slowly paints the dark blue horizon, that’s when magic happens. To think of how many mornings we end up not witnessing this wonder makes me wish to miss more sleep.
What is your favorite time to practice street photography?
Photos taken early this morning on the banks of the river Rhein in Duesseldorf.
Future unknown~ heartbreaking news coming from Xinjiang about China holding over a million Uighur muslims in re-education centers for the purpose of removing their #faith which they label as a virus. History keeps repeating itself and we humans never seem to learn. Their most recent tactic is breaking up families whose strength and cohesion they perceive as a threat to future China.
The most striking thing about visiting the refugee camps is always the unmistakable bright spark of hope that lives in the children. Despite all the hardship and unbearable living circumstances, they find the ability to play, laugh and be children.
How fair is it that someone’s whole life experience and story can be diminished to one word: ‘refugee’ ?
You often hear people escaping mentally to their happy places where they can reconnect with who they are meant to be for a moment; rewriting some chapters, rearranging some priorities and for just a short moment, just ‘being’.
I found my happy place when I went to Myanmar. I could not stop smiling there, it was a wellness trip of sorts where I met the ‘me’ that Life had made me forget.
Have you met your happy place?
My absolute favorite time to practice photography in Lebanon is the magical summer sunset. The sun takes its time and teasingly threatens to sink in the blue Mediterranean Sea ever so slowly whilst tossing beautiful colors of pastel into the Western Lebanese sky. Every day is a new performance, breathtaking, calming, inspiring and beautiful.
FOR IMMEDIATE RELEASE:
WINNER OF PX3, Prix de la Photographie Paris
MIMO KHAIR OF GERMANY WAS AWARDED THIRD PRIZE IN THE PX3 2018 COMPETITION.
PRIX DE LA PHOTOGRAPHIE PARIS (PX3) ANNOUNCES WINNERS OF PX3 2018 COMPETITION.
Mimo Khair of Germany was Awarded: Third Prize in category Portraiture for the entry entitled, ” I love you .” The jury selected PX3 2018’s winners from thousands of photography entries from over 85 countries.
Px3 is juried by top international decision-makers in the photography industry: Carol Johnson, Curator of Photography of Library of Congress, Washington D.C.; Gilles Raynaldy, Director of Purpose, Paris; Viviene Esders, Expert près la Cour d’Appel de Paris; Mark Heflin, Director of American Illustration + American Photography, New York; Sara Rumens, Lifestyle Photo Editor of Grazia Magazine, London; Françoise Paviot, Director of Galerie Françoise Paviot, Paris; Chrisitine Ollier, Art Director of Filles du Calvaire, Paris; Natalie Johnson, Features Editor of Digital Photographer Magazine, London; Natalie Belayche, Director of Visual Delight, Paris; Kenan Aktulun, VP/Creative Director of Digitas, New York; Chiara Mariani, Photo Editor of Corriere della Sera Magazine, Italy; Arnaud Adida, Director of Acte 2 Gallery/Agency, Paris; Jeannette Mariani, Director of 13 Sévigné Gallery, Paris; Bernard Utudjian, Director of Galerie Polaris, Paris; Agnès Voltz, Director of Chambre Avec Vues, Paris; and Alice Gabriner, World Picture Editor of Time Magazine, New York.
The “Prix de la Photographie Paris” (Px3) strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. Winning photographs from this competition are exhibited in a high-profile gallery in Paris and published in the high-quality, full-color Px3 Annual Book.
For Press Inquiries, Contact:
About the Winner:
Contact Mimo Khair:
Who stole the innocence?~ it seems that every bit of news these days uncovers a new scandal, a terrible lie or a gross misconduct by a person of authority. It is as though virtue and authority are melting away in a puff of disillusionment. Our only hope lives in the children. Can we please leave them uncorrupted?
Image taken in Goma, Congo 2009