Sometimes the world feels so vast, it’s people too many and the weight of it to heavy to bear. At those moments, and if you were a person that enjoys their own company with the endless mazes ripe with possibilities of self discovery, then the obvious result would be a self engineered containment. It can have the color of your own choosing, a palace on a hill or a hut on a beach, butterflies in its gardens or pebbles on its beach, the choices are endless.
So, I travel in my mind to my own palace of containment, letting my mind chart the journey and my spirit project the destinations.
These recent images from my Instagram page have been titled “chasing spirits”, and for the first time I find myself seeing a distinct line running through these street portraits that were taken by me in different Asian countries but solicit the same emotional reaction from me. There is something that draws me in to the internal processes of strangers through the maps of their faces, the history recorded in their eyes and the roadmaps of their lives in every line and wrinkle that cause me to pause and wonder: what drives me to chase these images and irks me to go to more places and stop, look and capture? It’s a strong driving force that never relents and I am hoping that after the chase, the cause may reveal itself. It’s a journey of passion and every moment brings me closer to myself…
MIMO KHAIR OF GERMANY WAS AWARDED THIRD PRIZE IN THE PX3 2018 COMPETITION.
PRIX DE LA PHOTOGRAPHIE PARIS (PX3) ANNOUNCES WINNERS OF PX3 2018 COMPETITION.
Mimo Khair of Germany was Awarded: Third Prize in category Portraiture for the entry entitled, ” I love you .” The jury selected PX3 2018’s winners from thousands of photography entries from over 85 countries.
Px3 is juried by top international decision-makers in the photography industry: Carol Johnson, Curator of Photography of Library of Congress, Washington D.C.; Gilles Raynaldy, Director of Purpose, Paris; Viviene Esders, Expert près la Cour d’Appel de Paris; Mark Heflin, Director of American Illustration + American Photography, New York; Sara Rumens, Lifestyle Photo Editor of Grazia Magazine, London; Françoise Paviot, Director of Galerie Françoise Paviot, Paris; Chrisitine Ollier, Art Director of Filles du Calvaire, Paris; Natalie Johnson, Features Editor of Digital Photographer Magazine, London; Natalie Belayche, Director of Visual Delight, Paris; Kenan Aktulun, VP/Creative Director of Digitas, New York; Chiara Mariani, Photo Editor of Corriere della Sera Magazine, Italy; Arnaud Adida, Director of Acte 2 Gallery/Agency, Paris; Jeannette Mariani, Director of 13 Sévigné Gallery, Paris; Bernard Utudjian, Director of Galerie Polaris, Paris; Agnès Voltz, Director of Chambre Avec Vues, Paris; and Alice Gabriner, World Picture Editor of Time Magazine, New York.
The “Prix de la Photographie Paris” (Px3) strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. Winning photographs from this competition are exhibited in a high-profile gallery in Paris and published in the high-quality, full-color Px3 Annual Book.
In Hongkou, part of the old city of Shanghai, was a set of grey narrow alleys that were a maze of tiny streets containing 2 or 3 story homes stacked side by side in a most claustrophobic manner. Hundreds of tangled electric wires dangled between walls that were decorated with phone numbers advertising services for those who needed them. Water flowed down the streets and bikes and colorful laundry colored the otherwise shabby surroundings. In those sad alleys I met some very happy people. Their smiles instantly appeared when we met and stories were told that I only understood partly because of my poor grasp of Shanghainese but laughter was the largest part of the conversation. I just loved that place and I kept going back again and again to photograph until one day the residents announced that their neighborhood is condemned to demolition like so many other old Shanghai alleys. The last time I visited there were metal foundations of giant about to rise from the stories of these lovely people. I had to fight back tears seeing the ghosts of what used to be there and is no longer…
Possessions: What do we really, truly possess? We think of possessions as things we plan and hope on keeping permanently, and the more we have the more we want to collect. But in the end, does it really matter? Maybe we can call them temporary belongings, because that is all they are. When we leave this place, the only possessions we are allowed to cary are the immaterial ones. How much love did we invest, how much care did we give and get, and how much goodness lived in us? Maybe these are the fuels that will be needed in our onwards journey into the next destination if there is one.
Day 65 of 365~
image is a composite of a bird I watched this week and an old portrait of my daughter.
Magic lives in every moment, all around us and it just waits to be captured. It’s as simple as that and when we are about to capture a moment we want to treasure, we just know it. We feel the magic as our finger presses the shutter and we just can’t wait to see the result because we are at that moment so sure that this moment was worth capturing.